Best live keyboard setup

Best live keyboard setup

Forum Rules. Remember Me? Page 1 of 2 1 2 Last Jump to page: Results 1 to 10 of Thread: Best live keyboard Rig? Best live keyboard Rig? Sign in to disable this ad. Simply buy the new version of the KC Any improvments? Thanks in advance for the advice James. Well what kind of sounds do you need in the keyboard?

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If you want something thats got everything maybe look at the fullsize triton or motif. Live stage amplification Not Keyboards. The New Roland KC looks good Ive liked my way old KC Or is it best to go with separates.

Roland Amps just okay Hey James, Personally I'm not real crazy about any of the Roland keyboard amps as I feel they are grossly underpowered and get into distortion all too quickly, and that's such a drag when we keyboardists have all these sparkling clean patches available to us.

I would opt for your other system with the 15's and power them up well so you never have to run it " in the red ". No need to worry about the guitarist's Marshall stack anymore, but it's certainly not an easy load-in either. When you crank up watts of that Hammond B-3 though, it'll curdle your milk! Good luck with your new amp, whatever you decide. Do you go direct from your amp or mic it?

I personally like the Roland keyboards amps. I've been tempted to upgrade to the KCas they made the controls a little easier to access, adn added a three band eq instead of the old two band. There are some other refinements as well, at least on that model. I'm sure they must have done some nice things to the as well.JavaScript seems to be disabled in your browser.

You must have JavaScript enabled in your browser to utilize the functionality of this website. We've put together this handy list of the best keyboard workstations, to help you when you're trying to find the best arranger keyboard or keyboard workstation to suit your style, set up and recording demands. More than preset sounds, actually! Available in a selection of different special edition colours here. The Korg Krome 61 EX Music Workstation includes world class sounds specially chosen by the team at Korg to provide a powerful workstation for professional level composers at an entry level price tag.

This also includes a built-in track sequencer, dual polyphonic arpeggiators and more for the musician who likes electronic music. In addition the KROME has been crafted with damper resonance as well as semi weighted keys to provide that realism you need.

Also available in more colours and configurations here. The Roland Fantom FA Music Synthesizer Workstation is a complete keyboard workstation and live performance tool ideal for stage musicians, composers and those who just need a heck of a lot of features when it comes to crafting their music! This completely bridges the gap between live and studio keyboards, providing a lightweight, highly portable and extremely versatile unit for musicians of all levels.

A 16 track sequencer with non-stop loop recording is great for building entire songs with minimal fuss and the fact you can export your sequencer tracks to an SDHC card as a stereo mix is great for transferring loops to other compatible instruments.

The inclusion of an onboard sampler based on the classic Roland SPSX with 16 pads x 4 banks as well as recording and playback via SDHC cards is a fantastic addition and makes creating music on the fly a lot of fun!

If you need to cover a wide range of sounds, genres and want to be able to use your workstation for live and studio performance with the option of recording vocals and guitar, this is a fantastic choice. The Korg Pa4X key Arranger Keyboard is one of the best options for professional musicians, providing easy access and editing capabilities to each sound and parameter via the touchscreen interface for on the fly changes during performance. In addition, you have over unique styles to choose from and play within and over sounds including GM and XG sets.

With improved realism and pristine sound quality as well as the new EDS-X Enhanced Definition Synthesis-eXpanded sound engine plus Digital Drawbar Organ sound engine, whatever you play will sound amazing. This is one of the most popular arranger keyboards and one of the best keyboard workstations any producer or composer could hope to play. Available in different configurations here.

The Korg Kronos 2 88 is an absolute titan in the keyboard world, relied upon by pro musicians and composers all over the world. Straight out of the box you have 9 individual KRONOS sound engines at your disposal including organs, synthesizers, strings, electric and acoustic pianos as well as in depth parameter control and access to effects via the enormous eight-inch x pixel SVGA colour TouchView display - now with touch-drag capability.

A world of effects, multi-track audio and MIDI capabilities and an almost limitless library of sounds at your disposal makes this a fantastic option for the professionals out there.

The fully weighted hammer action keys are an absolute joy to play and the 2 built-in sound engines which can be played separately or in conjunction with each other make this one of the most powerful keyboards and one of the best keyboard workstations on the planet.Forgot your password? Im in a prog rock metal type band and Ive been thinking of the best way I can setup my keys for shows. I have 2 boards and was thinking about just stacking them and putting it in the middle of the stage, but I would seem like I was hiding behind them from the crowds point of view.

What do you do for your live show? From what it sounds like, to interact the best with the crowd, maybe you should have the keyboards on two separate stands, making around a 45 degree angle, with the point facing the crowd? That way you wouldn't be blocked off, I'm not sure if this would suit you, but it seems viable.

Although that might present a problem if you don't have an extra mike and stand.

Which Live Streaming Setup Is Right for You?

If you can't hang with an L-configuration, then stack your keys as you describe and get on either stage right or left pointing diagonally across the stage facing in the direction of your audience but having the rest of the band available for eye contact on either your right or left flank, ideally with none of them behind you except maybe the bass player. The only way you can come across to an audience, with or without a huge stack of keys in front of you, is through your own confidance and demeanor.

Visualize the words you're singing hitting the back of the wall of the venue. Sing to the people in the back row, and you've already got the ones who chose to be in the front. The fact that your playing all those keys will just impress them further. If you don't like the front of house view to be of your cableage than get some kind of covering or something, maybe with a band logo etc, to drape over it.

This is a pic from Sat nite. This won't help really I play guitar and synth in a cover band and I set up stage left. Personally I like the "boxed in feeling of an L shape Right in the middle of the L corner, sitting on a sub Speaker is a mini mixer kit I assembled. I run stereo out to our PA and left -right monitor mix to 2 Yorkville keyboard amps at my feet. Who's the cleavage? Yeah, Grant - schweeeeet swching! I already know what the hell you and your rig looks like You blokes must have a ball on Halloween - the chicks in your "pics" always look like they're ready to party - and that's just on any given Friday or Saturday!

You can set up two keyboards and it won't look like you're walled off from the audience. I set mine up without an angle, with the keyboards close together and up a little higher than most so I don't have to look down.

6 of the best keyboards for live performance

And that's the key if your'e singing The reality of live performance if you are doing most of the singing is that the keyboard playing is secondary. So it really boils down to what's most comfortable for you. But get those keys set so you can play them without looking. The electro is in front of him but angled up so he keeps it pretty low and can still comfortably play.

Then he has a couple small controllers to his right. Not sure how he can be that effective playing like that?

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I have seen other guys do that though. Yeah, I've tried it, but it's not really my thing. I prefer an Apex stand in front sometimes three-tiered, sometimes two. Angled up is actually viable, though, once you get used to it. The main guy I know that takes this to an extreme is Derek Sherinian:.I love keyboards!

While I started playing piano at a very young age, my fascination with synths began in my teens and has only increased over the years.

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The good news is that software rigs have really come into their own, and I now use them nearly exclusively for many live gigs. Considering doing the same? Here are five things you need to know. I started using an all-software rig with my band Rudder because I was looking for the most sonic flexibility and the easiest physical setup. I wanted to be able to switch between drastically different sounds with mapped effects in an instant, and a software rig allows this.

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Chances are you can create a lot of these sounds in software with creative stacking and effects routing. I wanted a software rig that could replace not only the keyboards I wanted to hear, but my stompboxes as well. I checked out as many USB control surfaces as I could find, and experimented with audio interfaces and keyboards. Apple MainStage has no problem working with multiple controllers. To replace my slew of stompboxes, I opted for the ubiquitous Korg NanoKontrol.

Little by little, I learned more about what worked best for the machines and software.

best live keyboard setup

In addition, machines have gotten so fast that the ceiling has really been lifted. However, software rigs can and will fail if they are not tended to. Before I headed out on the road with a software-only rig inI experimented with my computer for several months. Which plug-ins are the processor hogs?

best live keyboard setup

Which ones play best with others? Finding all this out is crucial work. I like my software rig because it feels like an instrument.

Keys Setup Tutorial (Mainstage & Kontakt)

Find out more at henryhey. This pursuit inevitably led me to using a computer as the heart of my live setup. My concept is rooted in two applications of playing and recording: First, accompanying a vocal and second, arrangement and orchestration. Most of the influential composers in jazz history—such as Jelly Roll Morton, Thelonious Monk, and Duke Ellington—approached the craft of their music from the perspective of the player. Vince Mendoza carries this philosophy into all musical styles, improvisational or not, as the connection to the player in an ensemble is essential for the successful communication of ideas.

Acoustic Treatment. Direct Boxes. Other Accessories. Keys and Synths. Acoustic Piano. Home Digital Piano.

Midi Controller. Other Keys And Synths. Stage Piano. Live and Studio. Audio Interfaces. Combo Amps. Control Surfaces.By using our site, you acknowledge that you have read and understand our Cookie PolicyPrivacy Policyand our Terms of Service. It only takes a minute to sign up. I am a seasoned keyboardist playing mainly live gigs Soul, Funk, Rock, Pop.

I am very impressed by the capabilities of VST instruments, so I am wondering if it would be possible to use them in a live setup my equipment today consists of multiple "classical" keyboards. What is the minimum setup to use VST on a live gig, hardware- and software-wise please supply a complete list, including MIDI and audio stuff etc.

The minimal specs of the system will depend on the virtual instruments that you'll use. A simple subtractive synth will run in almost anything, but a robust sampler might need more RAM and disk space.

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You'll need to consult the minimum specs of your virtual instruments for this detail. The minimal specs will also depend on how many instruments and processes you want to run at the same time. You might need a lot less than this, but that setup would leave a reasonable room for expansion if you ever feel like going more crazy.

best live keyboard setup

Test your vst setup with different systems, see if the systems can handle it check latency, CPU usage, and if any artifacts are being inducedand write down the specs of those systems.

This will give you a good idea of what you need and what to expect from different specs. You want your setup to run absolutely flawlessly: no artifacts, ultra low latency, and no CPU usage peaking near the limit. Also, if you are very serious about this, you might want to consider having a backup system in case your main one fails. Consider having more than one if you can afford it. Is there any software tailored specifically to live performances?

I don't really care about recording. There are many options, but I think the best one right now and by far is Ableton Live. It was tailored for live performance, everything is agile and intuitive.

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It is so much more than a plug-in host, so it leaves a lot of room for creativity. Even if you imagine a device that doesn't exist, you can build it with MAX for Live. One think that I love about Live for live performances is the Instrument Rack. You can layer many instruments in one single track, and have macros control different parameters from different instruments at once. This can be done in most plug-in hosts in the form of multiple tracks and MIDI mappingbut nothing comes close to how fast, easy, and live-friendly Live implements it.

Check other options BitWig and Mainstage come to my mindbut chances are that Ableton Live is exactly what you want. Optimally, I would like to define presets for two keyboards in advance e.There are so many synths currently available that it can be a nightmare choosing the right one for live duties.

As a general rule, you want one main board that can cover a lot of sonic and controller territory, and you can then pair that with a couple of synths for specific duties such as leads, basses, pads or triggering samples.

Live Playing - midi controller with software or keyboard?

As much as you may be a stickler for that vintage Minimoog, are you really up for tuning headaches and having to manually set up your next patch after each song? Keep things simple and eliminate as many potential gear headaches as possible! Click through the gallery to see some of our favourite 'boards for live use. This versatile board from Yamaha is extremely portable and gets you the majority of the sounds from the flagship Motif XF but without the weight.

You can also import samples to the optional flash memory, which is a great feature for live use. You can import samples, and it comes in note waterfall keyboard and surprisingly portable and note versions. Read Clavia Nord Stage 2 review. The Pro-2 uses digital oscillators and dual VCFs and offers sequencing, effects, four-note paraphony and more. It's built to withstand the rigours of touring, while its assignable touch sliders make it ideally suited to being tweaked in the live environment.

There are 61, 73 and note models available, all of which have several sound engines onboard. These utilise sample-based sounds plus physical modelling, FM synthesis and sampling. There's also sequencing, powerful effects and a setlist mode. The Analog Keys is a great bet for live. There's a lot of power and versatility onboard for making leads, poly sounds, basses and beats. Read Elektron Analog Keys review.

Read Roland FA review. MusicRadar The No.Buzzes, hums, and regular old noise can be our worst enemies, but you can conquer them. Use these four tips to ensure your keyboard sounds its best! The idea behind gain staging is fairly simple: achieve clean sound by setting an appropriate volume gain at each step or stage in the audio chain. This is a critical component of maximizing your sound quality. Figure 1 illustrates poor gain staging.

This audio chain begins with a low signal, is boosted in the next step, then is lowered and raised in subsequent steps. To achieve proper gain staging, start with a healthy level and maintain it every step of the way figure 2. For keyboard players, this means a few things watch this video to see the demonstrations :. Check your internal patch volume settings.

Each sound has a MIDI volume level ranging from The goal is to not overwork any part of the signal chain, so back the main volume slider down a bit. Keyboards have have different numbers and types of output plugs.

Your keyboard is most likely to have either one output or three. If your board has three outputs, two will be mono outputs, and the other a stereo headphone output. If you are sending your signal to a mixer, you ideally want to use the mono outputs. One will send the left side of the stereo signal, the other will send the right side.

If there is only one mixer channel available, use just the left output with the right output unconnected. This way, both right and left channels will be mixed internally to one mono signal.

If your keyboard has only a stereo headphone output, you need to break out the signal into two mono signals. The solution is to use a splitter, like this one. It reduces interference by converting your unbalanced keyboard signal to balanced. A balanced signal will have two wires conducting the signal.

They work together to greatly reduce the possibility of interference to the signal. Balanced signals virtually eliminate this possibility. High-impedance signals will gradually lose more high frequencies with longer cable runs. I recommend nothing less than the Whirlwind IMP. Quality cables, with good connectors and wire, will help your keyboard sound its best — and do it reliably.


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